WHY YOUTH CULTURE ARE ATTRACTED BY FASHION Research Proposal

WHY YOUTH CULTURE ARE ATTRACTED BY FASHION - Research Proposal Example sis on sports, clothes, vocabulary dating and popular music set youths different from the other age groups, making them have what majority believe is a significant culture of their own. Within the youth culture, there exists’ many sophisticated, distinct and constantly changing youth subcultures. These subcultures’ values, styles, norms and behaviors vary broadly and differ from the known youth culture. This is a reasonable topic for it captures the varieties of fashion in the society. It would be a splendid idea to demonstrate what people of today think about the invasion of fashion in the society. I also chose this topic because many think youth culture does not exist. Through this research, I will prove that youth culture exists’. Youth culture is a recent field of study in modern history. Theories that explain the emergence of youth culture have been proposed by several theorists and philosophers. Youth culture theories suggest the effect of psychological, historical and economic factors amongst youths as the major cause of emergence of youth culture in the 20th century. Lury (2011), argues that schooling has been a big influence on the emergence of Youth culture. Age is seen as the major cause of separate youth cultures. Modern schooling has made it possible for interactions of youths who share experiences and definitions that facilitate the growth of a new youth culture (Lury, 2011). Frith (1984), notes that youth culture is amajor player in the development for an identity amongst youths in the modern times. Whenever youths do not have a clear role in their life, youth culture helps them to achieve a certain identity. Youth culture is hence a way in which youths reconcile confusion and identity issues. Fashion, is one of the most powerful youth cultures that have emerged in the 20th century. Fashion helps youths to identify with a certain class or culture and hence, fashion is a youth culture that helps in providing youths with an

Bromantes Architecture Represents the High Reneissance Essay Example for Free

Bromantes Architecture Represents the High Reneissance Essay Donato Bramante was born in 1444 to a poor farmer’s family. Bramante was a famous Italian painter and architect. He moved to the city of Milan in 1474, where the gothic style of buildings influenced his creations. The High Renaissance was a time in Italy and Rome that the artists were learning how to show perspective, and about anatomy. Donato D’ Angelo Bramante made his mark in the High Renaissance period. He inspired other architects to express themselves. Some of his works include the church of Santa Maria presso, the Tempietto, Santa Maria delle Grazie, the new St.   Peter’s church, and others (Catt, 2010). By 1499, the French occupation of Milan had forced Bramante to Rome. Taken up by the entourage of Alexander VI, he first designed the cloister of S. Maria della Pace (Bramante, Donato, 1994). In 1476 Bramante first greatest achievement was the church of Santa Maria presso San Satiro. It was built on commission by Duke Sfora that was dedicated to Saint Satyrus (biographybace, n. d. ). However, Bramante’s contributions are seen in the choir area that he remodeled. Bramante had used perspective painting to make it look larger than it really was. Using the art of illusion he made the choir seem to be three bays long, but the space did not actually exist. There was a wall that prevented Bramante from building the choir. So what you see actually is only one meter deep (Web Gallery of Art, n. d. ). â€Å"Italian architect and painter. He is best known as the greatest exponent of High Renaissance architecture. His first building, Santa Maria presso San Satiro in Milan (c. 481), use perspective to give an illusion of deeply receding space in the choir. In 1506, he started rebuilding St Peters, Rome. His influence was enormous, and many Milanese painters took up his interest in perspective and trompe loeil† Donato Bramante, (2008). The Tempietto was another one of Donoto Bromante’s great works. It is believed that this shrine was built on the site of St. Peter’s martyrdom. This piece was commissioned by King Ferdinand and Queen Is abella for this very reason (kleiner, 2010). The Tempietto was a small round temple at San Pietro in Montro, in Rome, and was build 1502. This piece of architecture is considered to be a masterpiece of High Renaissance (kleiner, 2010). The Essential humanities. net, calls it â€Å"the crowning jewel of High Renaissance† (2010 p3). His classical structure contains many elements such as; columns, a dome, drum, base, and a vault. This small design was Bramante’s â€Å"most harmonious building of the renaissance† (biographybase, n. d. , p. 1). â€Å"The Tempietto (1502) at S Pietro in Montorio, Rome. The small circular structure, erected as a martyrium to St Peter, is reminiscent of the temple of Sibyl at Tivoli, with its classical entablature carried on a Tuscan Doric colonnade and rich frieze of metopes and triglyphs. It was the first monument of the High Renaissance and established a prototype for sixteenth-century church design† (Bromate, donato 1987). One of Bromante’s early works in Milan was the church of Santa Maria delie Grazie. This building was started by another architect. The Santa Maria delie Grazie was a large church with long aisles. Bramante contributed to this work by adding the tribune to the east end. When Bramante went to Rome, he left this church unfinished (Web Gallery of Art, n. d. ). According to the text the old Saint Peter’s was falling apart and deeded much repair. Julius II chose Bramante to design and replace the Saint Peter’s church. The floor plan of the new Saint Peter’s church featured a cross â€Å"with arms of equal length, each terminating in an apse† (kleiner, 2010 p. 477par. 3). Julius II wanted the new church to serve as a memorial, to mark Saint Peter’s grave and have his own tomb in the church. Bramante’s plans were complex and extreme with intricate symmetries of a crystal. His plan showed none interlocking crosses in which five of them were supporting the domes. However, Bramante died in 1514, at the age of seventy, about the time the construction began (Nickerson, 2008). â€Å"Bramantes plan has been obscured by later work, though Michelangelo used as much of it as he could. What the interior would have looked like can be seen in Raphaels painting The School of Athens† (Bramante, Donato [1444 1514]. 1994). The works of Donato Bramante include the church of Santa Maria presso, the Tempietto, Santa Maris delie Grazie, the new St. Peter’s church, and others. Bramante’s works are divided into two time periods. The first period was spent in Milan, and the second was in Rome. In Milan, his work was decorative and picturesque. However, in Rome his work became more in the High Renaissance style (Sauer, 1907). He set the stage for artist in the High Renaissance, and his work with perspectives have been studied and copied today.

Art Deco Concepts and Ideas | History of Art

Art Deco Concepts and Ideas | History of Art Throughout history, man has observed and experienced numerous movements and births in the world of art and architecture that influenced life and dwelling. Some movements were mere fads that lasted several seconds in the larger scale of time, others were strong influencers that lasted beyond their years, either physically or in the minds and hearts of many. Art Deco, a movement that started in the early 1920s in the arts that translated immediately into architecture is undeniably one of the strongest iconic movements that effected the lives of many and has its dominant mark on the physical world. The movement still remains alive in various forms of pop culture reappearances and in actual physical standing buildings and structures and not as a movement in action, but simply in examples to remind people of a certain times allure. What sets Art Deco apart from other movements is its collectivity of several other movements and attempts in the world of art and architecture. The purpose of this paper is to identify and elaborate on the myriad of art and architectural styles that contributed into making Art Deco what it was/is. Also, since Art Deco was a dominant force made up of many successful styles, what made it last a relatively short period as a movement, yet some of its characteristics are used and found in subsequent styles still. The Beginning of Art Deco (a history): The birth of Art Deco was interesting in the sense that the movement started before the birth of the name Art Deco in 1968 where it was first used by Bevis Hillier as the title for his book on the decorative arts of the 1920s and the 1930s that are the actual years the movement belonged to. The Term originated from the distinguished exhibition of decorative and industrial arts held in Paris, France in 1925 called Exposition Internationale des Arts Decoratifs et Industriels Modernes. In terms of the concept and feel of the exhibition, The Paris exhibition is like a city in a dream, and the sort of dream that would give the psychoanalysts a run for their money (Vogue, London August 1925). The exhibition was a gathering pot where many artists and architects unveiled their works of art that later strengthened and inspired the concoction of the decorative motif style. The use of Art Deco as a label at that time was non-existent and the contemporary art was called Art Modernes in France a nd Modernistic art in the United States. Although numerous people think of the United States and American artists when it comes to Art Deco and the birth of Art Deco, the movement was actually birthed by European styles. The two chief countries that sparked the Art Deco motion were Germany and France. The movement was not a instant spark, it evolved quietly throughout the early 1920s and saw its climax at the Parisian exhibition, then it gradually saw its way across many countries especially the United States in a concentrated way which is why many people think of the Art Deco style as an American style. Defining Art Deco/Influences: Art Deco as a movement is almost impossible to define in a brief sentence or idea. The movement incorporated many elements, genres of design, and artistic/architectural movements that it becomes necessary to view and appreciate it as a large sum of minor components rather than a single entity. Some of the components that birthed Art Deco may even seem to clash or repel each other, yet, in reality they work harmoniously. For example, Germany and France in the immediate years post World War1 had different styles in art and architecture. The German approach was more towards Modernism, meaning having crisp and angular functionalism in design and an emphasis on clean geometry. Paris however had a style that was delightfully playful, a decorative style that is closest to the Art Nouveau Vernacular which was to be eradicated by its disciples. These two extremes are the two major movements that make up Art Deco as we know it, however, they are not the only movements or influences. At that ti me, the more lively style that is described as leisurely, comforting, and a representation of wealth arrived to the United States before the rigid German style thus helping the growth and spread of Art Decos decorative ways in the country. Along side the German modern style of design and the Art Nouveau movement, Art Deco barrowed influences and inspiration from many styles. Not only did Art Deco include many art or architectural styles, it was also influenced by historical aspects and futuristic ideologies. Deco was described as to contain elements from the ancient past to the distant future (Duncan, Alastair, 7). A past historical influence that is very evident in the style of Art Deco is the Ancient Pharaoh civilization and the Egyptian culture mania that overtook Paris after Tutankhamuns tomb discovery by Howard Carter in 1922. Combined with the mesmerizing Egyptian elements that were easily adopted as decorative motifs in Art Deco, more exotic inspirers played a role in influencing the style, such as Mayan temples, tribal African sculptures, the Ballets Russes, and Japanese lacquer-work. The decorative motifs of the Assyrian, Babylonian, and Sumer cultures also influenced and stimulated some Art Deco architects as did the Medieval and Byzantine architecture. Further more, classical structures and sculptures of the Roman and Greek cultures also played a part in the forming of Art Deco, however, the Art Deco architects were against the Beaux-Arts Neoclassicism, thus they adorned their classically based buildings and structures with modernized elements and figures of classical mythology in a playful strictly aesthetically decorative manner. Since Art Deco is not an instant reaction to another styles action, it truly had lesser rules in style than most other movements, and it probably had the most relaxed and forgiving rules when it came to re-interpreting another styles elements, or completely borrowing an element. For example, if an architect was commissioned by a client who is fascinated by maritime activity, and wanted to have elements of that show in the building, an Art Deco architect would design an art piece of a boat or an anchor in the exact same forms and colors from a decorative material and adorn the building with it. What makes this action possible and feasible is Art Decos strong dependency on Industrial design. The strong streamlined forms of industrial design and techniques of art creating through industrial commercial ways truly helped the Art Deco movement and added another very powerful component to the previously mentioned elements that make up the fabric of the movement. As previously mentioned, it seems that the components of Art Deco are countless, all equally stimulating and important in their own right. The French Rationalism style of building and the Art Nouveau movement in the early 1900s before the 1920s for example were important precursors of Art Deco. Auguste Perrets Rue Franklin apartment building, c.1902, which was extensively glazed and revolutionized the building techniques with the use of reinforced concrete works as a foreshadow of Art Deco and what was to come. The heavy ornaments on Perrets building work as a bridge from the more stylized floral style decorations to the ordered and less organic famous floral motifs of Art Deco such as the lotus leaves. Along side Art Nouveau, another powerful movement that influences many Art Deco buildings is Expressionism in both its industrial German style and the brick building Dutch style. The style of the Expressionist architecture in its emotional and beautifying methods is clearly visible in the Art Deco designs. Although the movement was prior to the First World War, it had a strong comeback in the 1920s and famous expressionist buildings such as Peter Behrens monumental glass and steel turbine factory, c.1908, served as a model and inspiration for Art Deco designs. The Exhibition hall by Hans Poelzig in Poznan, Poland, c. 1911, also worked as a muse and model for following Art Deco artists. In terms of the brick building expressionism, three major Dutch influencers of Art Deco were Johan Melchior van der Mey, Michel de Klerk, and Piet Lodewijk whose work included brick, glass, and concrete in a stylized structural and decorative manner that can be linked directly to Art Deco. Italian Futurist architect Antonio SantElia was another major influencer on the Art Deco movement although a few rare projects of his were built and the majority remained sketches on paper. SantElias Monza cemetery, 1912, is an example of his work where decorative designs and heavy use of ornamentation in glass and concrete may be found and linked to Art Deco. In the United States, the Chicago School of Architectures massive vertical steel skeleton buildings made in the Moderne style from 1875-1910 count as influencers of Art Deco. From that group, Louis Sullivan and his student Frank Lloyd Wright specifically are the two architects whose works most hold links and bridges to Art Deco. Frank Lloyd Wrights work included many heavily ornamented buildings both in the exterior and interior with sharp geometry and studied repeated patterns and motifs in brick and concrete that are very much Art Deco-esque such as the Midway Gardens in Chicago built in 1914. (first half) *In Addition to the prior information, the following outline titles will be discussed in the second half, which is the more theoretical part structural wise. Elements of the Art Deco style: The characteristics that make a design original Art Deco, and specific elements that art deco must attain. Examples of famous art deco buildings: The buildings, and the theories and messages behind them. Writers opinion and analysis: My own personal opinion on the movement the and theories behind the movement, also, why I believe the movement failed to live longer even thought it seemed ultimately powerful ( the answer to my proposed question).

Sense and Sensibility Essay -- Jane Austen

Sense and Sensibility was the first novel written by Jane Austen and it reflects the views and ideas of a young girl of twenty-two. It includes autobiographical elements, as do other novels written by her. Jane Austen had only one sister, Cassandra, and the two were very attached. The connection that existed between Jane and Cassandra is to be found between Elinor and Marianne. The two women of the novel also resemble their real- life counterparts in their nature and attitude. Elinor possesses the good sense of Cassandra and the cordiality of Jane. Marianne displays Jane's love for reading, music and dance. The setting of the novel is also based on actual locations. The Dashwoods' cottage at Barton in Devonshire resembles Jane Austen's house at Steventon in Hampshi...

Using Technology in Sports :: Exploratory Essays Research Papers

Using Technology in Sports The ball comes speeding over the net and slams down onto the face of the court landing just beyond the base line, the line running along the back of the court. I had called her winning point... "out." As I turned towards her, I could see the anger building in her eyes. We walked towards each other, and with only the net separating us, she began to confront me. She argued that, as she saw it, the ball was obviously in and that we should replay the point. I wanted this game as much as she did and we were both standing strong. I finally decided that there was no use in fighting. We had to resolve this argument between ourselves because there were no line judges to decide for us. We decided to replay the point and she won. I tried to convince myself that there would be times when a call would be questionable and that I should try not to point fingers. I still went home discouraged that night because I knew that the call I had made was fair. The next day I sleepily drifted in and out of my Ethics lecture, although, the teacher was able to catch my attention by an interesting question that he presented. What is morally correct? This got my mind going. I was bothered by the match the previous day and I began to question myself about my call. Was it morally correct or was I being partial to my own success? I reflected on that final call that I had made, the point that won the game. I was positive that I had made a fair call but a little hint of doubt kept ringing in my head. What if I had made a bad call? What if I saw the ball differently than everyone else? Questions like these continued to haunt me throughout the hour. One of my close friends, Sarah, noticed that something was bothering me. She asked me what was wrong, and I told her that I was upset about last night's match and was wishing that there was a way to tell for sure if the ball had been in or out. As soon as I had finished, an excited look washed over her fac e. Being a track star, she proceeded to tell me about a new technology that was being used for runners.

Electronic assignment coversheet Essay

Except where indicated, the work I am submitting in this assignment is my own work and has not been submitted for assessment in another unit. This submission complies with Murdoch University’s academic integrity commitments. I am aware that information about plagiarism and associated penalties can be found at http://www.murdoch.edu.au/teach/plagiarism/. If I  have any doubts or queries about this, I am further aware that I can contact my Unit Coordinator prior to submitting the assignment. I acknowledge that the assessor of this assignment may, for the purpose of assessing this assignment: reproduce this assignment and provide a copy to another academic staff member; and/or submit a copy of this assignment to a plagiarism-checking service. This web-based service may retain a copy of this work for the sole purpose of subsequent plagiarism checking, but has a legal agreement with the University that it will not share or reproduce it in any form. I have retained a copy of this assignment. I will retain a copy of the notification of receipt of this assignment. If you have not received a receipt within three days, please check with your Unit Coordinator. I am aware that I am making this declaration by submitting this document electronically and by using my Murdoch ID and password it is deemed equivalent to executing this declaration with my written signature. Optional Comments to Tutor: E.g. If this is a group assignment, list group members here MBS502 Trimester 1 2011/2012 Assignment problem In January 2008, three good friends, Joe, Moe, and Shmo retired from academia. Each is an expert in different areas of financial management, investment strategy and retirement planning. They decided to start a financial advisory service in uptown Boyup Brook. Joe contributed $100,000, Moe contributed $50,000 and Shmo contributed $200,000 to establish the service. They also borrow another $50,000 from Joe’s wife, Flo. The loan was to be repaid by giving her the first $10,000 of the profits made each year. It was also agreed that Flo would be the office manager on a salary of $45,000 per annum. They bought an appropriate building in Boyup Brook  and, with the money left over, they built an extension/granny flat in which Shmo lives. Joe, Moe and Shmo agreed that all major decisions relating to the management of the service would require all three to agree. The day to day management of the office was to be left to Flo. Boyup Brook has a large and growing population of retired farmers and public servants who are always concerned about the health of their retirement nest eggs. Joe, after discussions with Moe, Shmo and Flo, registered the business name, â€Å"The Money Doctors† because he believed they work with surgical precision when it comes to financial decision making. Business cards were duly printed and ties were designed with a pattern of dollar signs. In the recent past the following incidents occurred or were discovered. 1 Joe, Moe and Shmo had, earlier this year, discussed ways to improve the services they provided to clients. One of the key areas they identified was their computer system and internet access. They agreed that an investment of up to $10,000 was appropriate and affordable in the current financial climate. While on a recent visit to Perth, Shmo attended the Perth International Education Expo. While there he encountered an old friend from his academic career, Elmo, who was also retired and was now an agent for Educational Computer Operators (ECO). Shmo told Elmo all about his exciting life in Boyup Brook and about the service he operated with their mutual friends, Joe and Moe. The computer industry had, apparently, also been hard hit by the economic crisis and Shmo sensed that a bargain could be obtained. Shmo ordered 4 computers, a new server and a 24 month broadband satellite internet service. The total cost was $20,000. As part of the deal, for signing up at the Expo, Shmo was given $100 worth of Lotto tickets. As luck would have it, one of these tickets won a share of the first division prize of $1,000,000. When the computer system arrived with the invoice demanding immediate payment, Flo knew nothing about it and Shmo was unavailable as he was on holiday in the Bahamas. 2 The service had a client, Mrs. McTavish, the widow of a prosperous farmer. Always one for a safe investment, Mrs. McTavish only accepted advise relating to Blue Chip shares and investments and normally only dealt with Shmo. However, as a result of the recent world economic meltdown and the harrowing stories seen on a Current Affair on TV, Mrs. McTavish was growing  very concerned about the health of her investments and how to make up for capital losses. Moe, in Shmo’s absence, sensed an opportunity and recommended to Mrs. McTavish that she invest in a company called Southern Land Opportunities (SLO) and to finance this investment by selling $1,000,000 worth of Commonwealth Bank and Telstra shares. Mrs. McTavish had always allowed Shmo to take care of the details of selling and transferring money to the appropriate accounts and investments. This company, SLO, was one which Moe had established with his latest friend, Poe. It had no other share capital, no bank account and had not carried on any business. Within a week of the transaction, Moe had disappeared and no trace can be found of him or Mrs. McTavish’s money. Mrs. McTavish has already employed one of Perth’s biggest law firms and has brought an action against â€Å"The Money Doctors†. Using only Partnership Law as it exists in Western Australia, answer the following; 1 Is â€Å"The Money Doctors† a partnership, and if so, who are the partners? 2 Who is liable for the contract with ECO? 3 Who is liable to Mrs. McTavish? Question one, The Money Doctors is a partnership by the definition as this activity covered by all four parameters by the partnership as below and also according to following rule of Western Australian Law; â€Å"Partnership is the relation which subsists between persons carrying on a business in common with a view of profit†. Partnership Act (WA) 1895 S/7 (1) Also the four element of partnership has been carried out,  Agreement, as all parties agreed to, start a financial advisory service, pay certain amount as initial investment, purchase a building, lend money from a third party. As result there was a conducive agreement among the partners. Business being carried out, according to the mentioned cases the business being carried out and the case of Mrs. MC Tavish and her previous experiences and the made trust in time with Shmo is the strong evidence of having business carried out. In common, all the parties have agreed to make major decision together by having all parties opinion and also they have chosen a name, business card and USD sign on their ties for the partnership together based on common understanding. View of profit, in return of the lend money all parties agreed to pay $ 10,000 each from the profits which shows the partners had a view of profit. Question two, IRAC Issues, Whether all the partners were agreed to invest and improve the services provided to client by improving computer systems? Does Shmo have the authority to purchase $20K worth of computer equipment? How ECO dealt with Shmo? Were there enough evidences of apparent authority from ECO to accept the deal? Whether if all the partners are liable to pay against Shmo’s commitment? Rule of law, â€Å"Every partner is jointly liable for any breach of contract – only one right of action against all the partners.† (Partnership Act 1895) [S16] WA â€Å"The case of Panorama Developments (Guildford) Ltd v Fidelis Furnishing Fabrics Ltd† [1971] 2 QB 711 By deification and based on four elements of partnership it is clear there is a partnership and according to above mentioned law (Partnership Act 1895) [S16] WA Shmu has the apparent authority to act on behalf of the firm. The case of [1971] 2 QB 711 court has held as the secretory had apparent authority to act on behalf of the company so the company is liable against the made commitment. Application, As Shmo was acting on behalf of all parties carrying the business cards and wearing the tie with company logo he was having apparent authority to act on behalf of the firm even though the partners agreed to certain level of investment it doesn’t concern the second parties and the made commitments. The rules of Law which needed to be considered in this case is section 16 of Western Australian low â€Å"Every partner is jointly liable for any breach of contract – only one right of action against all the partners.† (Partnership Act 1895) [S16] WA. The case is very similar to The case of â€Å"Panorama Developments (Guildford) Ltd v Fidelis Furnishing Fabrics Ltd† [1971] (2 QB 711) which the secretory hired a luxury car for personal use and court held that the company is liable to pay for the rented car as the secretory had apparent authority using company facilities and previous experiences. Conclusion, Due to the apparent authority law â€Å"Every partner is jointly liable for any breach of contract – only one right of action against all the partners† (Partnership Act 1895) [S16] WA. And the case of â€Å"Panorama Developments (Guildford) Ltd v Fidelis Furnishing Fabrics Ltd† [1971] (2 QB 711 The Money Doctor has to pay for Shimo commitments as he had the apparent authority against to supplier and ordered consignment regardless of even Shmu has act over the internal agreement within the partners. Question three, IRAC, Issues, What are the firm responsibilities as Financial Advisory firm? Is the firm as Financial Advisory has the right to act and to accept money from the clients and transfer the fund? Is the established relationship between Mrs. McTavish and Shmu is based on firm responsibilities and authorities or just been made in time due to personal relationship and successful experiences. Whether if Mrs. McTavish knows Moe is involved with the SLO? Is there any evidence to prove how the transaction took place? Cash or bank to bank. As the SLO has no bank account why McTavish should trust to transfer such amount of money to unknown account? If McTavish gave the money to Moe in cash whether she knows Moe is acting beyond his apparent and actual authority? Rules of law, There are different factors to be considered in this case, As a Financial advisor Money Doctors should not accept cash and additional to that Moe had breach the contract and abused McTavish trust for the sake of personal ambitions. Therefore in this case below rules of law has to be considered, Where any money or property of a third person is received by one partner, acting within the scope of his real or apparent authority in the partnership affairs, and is misapplied by that partner, and where any money or property of a third person, being as such in the custody of the firm, is misapplied by any partner, the firm shall be liable to make good the loss. (Partnership Act 1895) [Section 18.1] WA Where by any wrongful act or omission of any partner acting in the ordinary course of the business of the firm, or with the authority of his copartners, loss or injury is caused to any person not being a partner in the firm, or any penalty is incurred, the firm is liable therefor to the same extent as the partner so acting or omitting to act. (Partnership Act 1895) [Section17.1] WA Application, According to Western Australia, Partnership Act law 1895, and Section17/1 if money or property is received by a partner in the scope of the real or apparent authority and misapplied the firm is liable to make good the loss. And Section 18/1if by any wrongful act or omission of any partner acting in the ordinary course of the business of the firm, or with the authority of his copartners, loss or injury is caused to any person not being a partner in the firm, or any penalty is incurred, the firm is liable. In this case partners were agreed to establish a financial advisory service to the clients and in the case of Mrs. McTavish she was allowing the Shmu to make the transactions on her behalf which is outside the authority of Financial Advisor. Based on the made trust Mrs. McTavish decided to act the same with Moe which no level of trust been made with Moe and Mrs. McTavish therefore more information is required to make sure if Mrs. McTavish knew Moe is acting beyond his authority otherwise the rules of law (Partnership Act 1895) [S18.A] WA is applicable. Based on Agency law â€Å"If agent acts outside his/her actual and apparent authority s/he may be liable to both TP and PR† According on the given information the SLO company has no bank account therefore there is no way for Mrs. McTavish to transfer the money to bank account so the only possible way is for Moe to take the cash by himself and  transfer the money to another account. There are not enough information and evidences if Mrs. McTavish knew Moe is acting beyond his authority to refer the case to agency law as laws of Agency Law and Partnership Law can be applied in both fields. Therefore based on the actual given information and Partnership law â€Å"Partnership Act 1895) [Section 18.A] WA† and Partnership Act 1895 [Section17.1] WA is applicable. Conclusion, If there were enough evidences that Mrs. McTavish did not know that Moe is acting beyond the actual or apparent authority Moe solely would be liable to Mrs. McTavish as accepting money for the transaction was out of his apparent and actual authority but there are not enough evidences therefore the firm is liable to Mrs. McTavish according to abve mentioned rules of law. References, Partnership Law (WA) : Australasian Legal Information Institute http://www.austlii.com PARTNERSHIP ACT 1895 PARTNERSHIP ACT 1895 http://www.austlii.com/au/legis/wa/consol_act//pa1895154/ The case of Panorama Developments (Guildford) Ltd v Fidelis Furnishing Fabrics Ltd† [1971] 2 QB 711 PARTNERSHIP ACT 1895 – SECT 16 16 . Liability of partners http://www.austlii.com/au/legis/wa/consol_act//pa1895154/s16.html (Partnership Act 1895) [Section17.1] WA PARTNERSHIP ACT 1895 – SECT 17 17 . Liability of firm for wrongs http://www.austlii.com/au/legis/wa/consol_act//pa1895154/s17.html PARTNERSHIP ACT 1895 – SECT 18 18 . Misapplication of money or property http://www.austlii.com/au/legis/wa/consol_act//pa1895154/s18.html

A Rose for Emily: Pressures of Society

Pressures of Society Most people desire to fit in with the social norm. People do not want to be outcasts or different. Everyone in a society tries to fit into their cookie cutter forms to make themselves just like everyone else. Society does not like those who don't fit in and meet their standards. In the short story â€Å"A Rose for Emily† by William Faulkner, the main character Emily lives in a society full of high morals and monetary status. The setting plays a huge role on the actions of Emily and forces her to seclude herself from the rest of society. A Rose for Emily† takes place in post- civil war Jefferson, a small town in the deep south of the United States. The setting of the story helps illuminate the values of society during that time. Emily's society was built on the beliefs that the white, upper-class citizens were far more superior to everyone else. Being that they were more superior, everyone was held to a higher standard. The people of Jefferson were ex pected to have prim and proper houses and yards, high morals, and to obey all of the town's laws. While Emily was part of the upper-class, she did not quite fit in to society's cookie cutter mold. Emily's house was an eyesore to the rest of the town, she was said to be dating a gay man who was of the working class, and she did not pay her taxes. The people of the town began to question Emily's sanity because she was not just like everyone else. â€Å"Some of the ladies began to say that it was a disgrace to the town and a bad example to the young people†¦. but at last the ladies forced the Baptist minister†¦. o call upon her. † (94-95) These actions show how much society truly wanted to change Emily's way of life so she would fit in with them and stop ruining their image. The southern country setting with these harsh conditions led Emily to lock herself in her home in order to seclude herself from society. Emily did not feel welcome in her society. She knew that the others judged her and looked down upon her for her actions. The pressures of society took a huge t oll on Emily. The front door closed upon the last one and remained closed for good. When the town got free postal delivery, Miss Emily alone refused to let them fasten the metal numbers above her door and attach a mailbox to it. She would not listen to them. † (95). Emily felt as though she was a total outcast in her society and she became insane because of it. After her death, the town finds out that Emily had murdered her future husband. She had truly gone insane due to the pressure that society had placed on her. All in all, Emily's harsh society that she lived in caused her to feel unwelcome and go insane. Emily felt forced into locking herself away in her home to seclude herself from society. The high moral standards that the rich white southerners place on society greatly affected the life of Miss Emily. Emily did not fit into society's cookie cutter mold, and as a result she was ridiculed and cast away from the rest of society. The pressures of society can have a very damaging effect on those who do not fit into the social norms.