Christianity And Lord Of The Rings Essay -- essays research papers

If the study of books shows nonhing else, it shows that every author, consciously or subconsciously, creates his (or her) work after his (or her) have got worldview. Tolkien is no exception. "I am a Christian..." he writes(1), and his book shows it. Christianity appears not as allegory--Tolkien despises that(2)--nor as analogy, but as deep under girding presuppositions, similarities of pattern, and dual-lane symbols.That there should be similarities between the presuppositions of of The passe-partout of the Rings and Tolkiens Catholic confidence is to be expected given Tolkiens protest views on Christianity and myth. Regarding the gospel yarn Tolkien wrote, "The gospels contain a fairy-story, or a story of a larger kind which embraces all the essences of fairy-stories."(3)Since all myths are subordinate to the overarching "myth," it would be surprising if parallels were not found between greater and less(prenominal)er. This is certainly unfeigned whe re the author consciously recognizes his pilot burner. If he has at all grasped its form and meaning, if the archetype has at all succeeded in working its way to his heart, then it moldiness also work its way to his pen.The essence of the gospel and of fairy-tales is, in Tolkiens own word, euchatastrophe--the surprising, hopeful turn in all mans despair and sorrow. Joy is the result, a brief glimpse springing out of the inherent evangelium of the genre.(4)This is the dominant note of, and regular the apology for, fairy-tales.Tolkiens Lord of the Rings trilogy is set in a pre-Christian world. wherefore it cannot adopt an explicit Christianity. Nonetheless it can, and does, shadow Christianity just as the experienced Testament pre-shadowed the New, although admittedly Tolkiens is a post-view set as a pre-view. The Christian types to be found in The Lord of the Rings which we will break down are of two sorts shared world view and shared symbols.The send-off category embraces such distinctly philosophical issues as good and evil, historical perspective, freewill and predestination, grace, mercy, providence, judgment and redemption. The development of these themes in The Lord of the Rings is Christian or at least Hebraic.Shared imagery is no less important to the tenor of the whole work. An example of shared imagery is the antithesis of mysterious and light so evident in both John the Apostle and Tolkien. keep an eye on the close connection between Hal... ...Apollo Editions) pp. 158-77.back18. I-347. backAdditonal ReferencesAuden, W. H. "Good and Evil in The Lord of the Rings." Critical every quarter 10 (Spring/Summer 1968) pp 138-42.------------ "A World conceptional but Real." Encounter 3 (November, 1954) pp. 59-62.Callahan, Patrick J. "Animism and Magic in Tolkiens The Lord of the Rings." riverbank Quarterly, Volume 14 No. 4 (March 1971) pp. 240-250.Kocher, Paul Harold. Master of diaphragm Earth the Fiction of J. R. R. Tolkie n. Boston Houghton Mifflin, 1972.Meisel, Sandra L. "Some Motifs and Sources for The Lord of the Rings." Riverside Quarterly 3 (March 1968) pp. 125-8.Pfotenhauer, Paul. "Christian Themes in Tolkien." Cresset 32 (January 1969) pp. 13-15.Sale, Roger. "Englands Parnassus C. S. Lewis, Charles Williams, and J. R. R. Tolkien." Hudson Review 17 (Summer, 1964) pp. 203-225.Stimpson, Catherine R. J. R. R. Tolkien. capital of South Carolina Essays on Modern Authors 41. New YorkColumbia University Press, 1969.Urang, Gunnar. Shadows of Heaven Religion and delusion in the Writings of C. S. Lewis, Charles Williams and J. R. R. Tolkien. Philadelphia Pilgrim Press, 1971.