Music as Substance and Form in Grace Notes :: Grace Notes

Music as Substance and Form in Grace Notes   In the novel Grace Notes by Bernard MacLaverty, Catherines growth as an artist through the story provides both substance and form to the story.   advance(prenominal) on in Catherines life, she was taught and influenced by the people close to her. Miss Bingham was her firstborn formal teacher. She taught Catherine things she seemed to bear known beforehand Miss Bingham says its all wrong her head and all she has to do is draw it out (99). Miss Bingham overly gave Catherine her first manuscript jotter, taking her on her way to becoming a composer. Catherines family was also a big influence. grandmother Boyd taught Catherine songs they would sing in the rounds of the kitchen (145). In credit line to Miss Bingham and Granny Boyd, it seems as if her father wanted to have more control over her music interest. When listening to the Lambeg drums, her father called it classic bloody bigotry (258), yet Catherine thought it interes ting with the complex rhythms. The strongest influences on Catherine, as with most children, come at an early age, and for Catherine this all happens in her home town.   There are also outside influences on Catherines maturement as an artist. Catherine first saw Huang Xiao Gang at a radical workshop at the university. Huang talked about pre-hearing and inner hearing (33), and other slipway of thinking of music in very non-western methods. Catherine remembers the pre-hearing and inner hearing quite a few times later, when she has ideas about music. Catherine also learns while visiting the composer Anatoli Melnichuck in Kiev. She does non actually learn directly from Melnichuck, but learns about things when she is thither. When she visits the Refectory church she hears the bells in the bell tower, making a reverberating Tintinnabulation (124). Catherine as intumesce hears the monks in the church singing. The singing came without warning, it was not sacred singing - there was a lightness to it (125). The singing there at the Refectory church reminded her of Granny Boyd singing The Bell Doth Toll. The outside influences in Catherines life gave some contrast and some interesting aspects to her music.   The influences and teachings in her life all come unitedly to create Vernicle, which is played for the BBC at the end of the novel. Her music comes in devil parts, like the bilateral symmetry of a scallop shell (273).